12/31/2022 0 Comments Ragtime artistsThe earliest, of whom little is known, were Toronto publisher W.H. Many Canadian composers in this idiom also were white, with the exception of Shelton Brooks (whose 'Some of These Days' and 'Darktown Strutters' Ball' have been called ragtime songs), Nathaniel Dett (who wrote After The Cakewalk - March Cakewalk in 1900 while still in Canada), and Lou Hooper. By 1907 Lamb had moved to New York, working in the Brooklyn fabric industry and composing his finest pieces only as a hobby. Sparks, as well as his earliest rags (listed in They All Played Ragtime), including Walper House Rag (1903) and Rapid Rapids Rag (1905). There he wrote several songs and waltzes, published by H.H. Lamb lived after 1901 in Berlin (Kitchener), Ont, while studying at St Jerome's College. Lamb (b Montclair, NJ, 1887, d Brooklyn, NY, 1960) is considered the greatest and, with Joplin and James Scott, completes the triumvirate of the genre's main composers. Clarke), commercialized by Tin Pan Alley, and exaggerated into exhibitionistic and technically extravagant novelty pieces by Mike Bernard, Zez Confrey, and others, including, in Canada, Willie Eckstein and his protégés Vera Guilaroff and Harry Thomas.ĭespite its black origins ragtime has had many white exponents, of whom Joseph F. In the years following, ragtime was played by such bands as that of John Philip Sousa (often under the direction of Herbert L. The proprietors were Will and Walker Williams who, according to legend, were said to have come from London, Ont, and to have named the club after the popular symbol of their homeland.) (The work was named after the Maple Leaf Club in Sedalia, Mo, where Joplin was working. Ragtime's leading figure is the composer-pianist Scott Joplin (1868-1917), and its most popular composition is his Maple Leaf Rag (1899). The genre proliferated in sheet-music form, the easiest pieces (or adaptations of more difficult works) receiving wide performance in North American and European parlours. Krell's Mississippi Rag (1897), which in fact was a cakewalk. Ragtime is dated generally from the first published piece called a 'rag' - William H. Elements of both fads, especially their characteristic syncopation, prepared the North American public for ragtime. Ragtime was preceded immediately by the 'cakewalk' dance craze in both black and white societies, and by such racist (but popular) 'coon-songs' as 'The Bully,' sung on US stages by May Irwin (1862-1938, a native of Whitby, Ont) and recorded on her Victor 78s of 1907. It takes its inspiration and unique character from the melodic and rhythmic vivacity of Afro-American folksongs and dances. In its strictest form, ragtime adheres to a composed score of four themes, each of 16 bars, syncopated in rhythm, and ordered AABBACCDD. Musical genre of Afro-American origin, dating from the 1890s, popular until the late 1910s, and revived in the mid-20th century.
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